Monday, September 28, 2009

Interview Thomas C. Redman Author Data Driven

Here is an interview with Tom Redman, author of Data Driven. Among the first to recognize the need for high-quality data in the information age, Dr. Redman established the AT&T Bell Laboratories Data Quality Lab in 1987 and led it until 1995. He is the author of four books, two patents and leads his own consulting group. In many respects the “Data Doc’ as his nickname is- is also the father of Data Quality Evangelism.

Ajay- Describe your career as a science student to an author of science and strategy books.
Redman: I took the usual biology, chemistry, and physics classes in college.  And I worked closely with oceanographers in graduate school.  More importantly, I learned directly from two masters.  First, was Dr. Basu, who was at Florida State when I was.  He thought more deeply and clearly about the nature of data and what we can learn from them than anyone I’ve met since.  And second is people in the Bell Labs’ community who were passionate about making communications better. What I learned there was you don’t always need “scientific proof” to mover forward.


Ajay- What kind of bailout do you think the Government can give to the importance of science education in this country.

Redman: I don’t think the government should bail science education per se. Science departments should compete for students just like the English and anthropology departments do.  At the same time, I do think the government should support some audacious goals, such as slowing global warming or energy independence.  These could well have the effect of increasing demand for scientists and science education.
Ajay- Describe your motivations for writing your book Data Driven-Profiting from your most important business asset.

Redman: Frankly I was frustrated.  I’ve spent the last twenty years on data quality and organizations that improve gain enormous benefit.  But so few do.  I set out to figure out why that was and what to do about it.
Ajay- What can various segments of readers learn from this book-
a college student, a manager, a CTO, a financial investor and a business intelligence vendor.

Redman: I narrowed my focus to the business leader and I want him or her to take away three points.  First, data should be managed as aggressively and professionally as your other assets.  Second, they are unlike other assets in some really important ways and you’ll have to learn how to manage them.  Third, improving quality is a great place to start.
Ajay- Garbage in Garbage out- How much money and time do you believe is given to data quality in data projects.

Redman:   By this I assume you mean data warehouse, BI, and other tech projects.  And the answer is “not near enough.”  And it shows in the low success rate of those projects.
Ajay-Consider a hypothetical scenario- Instead of creating and selling fancy algorithms , a business intelligence vendor uses simple Pareto principle to focus on data quality and design during data projects. How successful do you think that would be?

Redman: I can’t speak to the market, but I do know that if organizations are loaded with problems and opportunities.  They could make great progress on most important ones if could clearly state the problem and bring high-quality data and simple techniques to bear.  But there are a few that require high-powered algorithms.  Unfortunately those require high-quality data as well.
Ajay- How and when did you first earn the nickname “Data Doc”. Who gave it to you and would you rather be known by some other names.

Redman: One of my clients started calling me that about a dozen years ago.  But I felt uncomfortable and didn’t put it on my business card until about five years ago.  I’ve grown to really like it.
Ajay- The pioneering work at AT & T Bell laboratories and at Palo Alto laboratory- who do you think are the 21st century successors of these laboratories. Do you think lab work has become too commercialized even in respected laboratories like Microsoft Research and Google’s research in mathematics.

Redman: I don’t know.  It may be that the circumstances of the 20th century were conducive to such labs and they’ll never happen again.  You have to remember two things about Bell Labs.  First, was the cross-fertilization that stemmed from having leading-edge work in dozens of areas.  Second, the goal is not just invention, but innovation, the end-to-end process which starts with invention and ends with products in the market.  AT&T, Bell Labs’ parent, was quite good at turning invention to product.  These points lead me to think that the commercial aspect of laboratory work is so much the better.
Ajay-What does ” The Data Doc” do to relax and maintain a work life balance. How important do you think is work-life balance for creative people and researchers.

Redman: I think everyone needs a balance, not just creative people.  Two things have made this easier for me.  First, I like what I do.  A lot of days it is hard to distinguish “work” from “play.”  Second is my bride of thirty-three years, Nancy.  She doesn’t let me go overboard too often.

Biography-

Dr. Thomas C. Redman is President of Navesink Consulting Group, based in Little Silver, NJ.  Known by many as “the Data Doc” (though “Tom” works too), Dr. Redman was the first to extend quality principles to data and information.  By advancing the body of knowledge, his innovations have raised the standard of data quality in today’s information-based economy.

Dr. Redman conceived the Data Quality Lab at AT&T Bell Laboratories in 1987 and led it until 1995.  There he and his team developed the first methods for improving data quality and applied them to important business problems, saving AT&T tens of millions of dollars. He started Navesink Consulting Group in 1996 to help other organizations improve their data, while simultaneously lowering operating costs, increasing revenues, and improving customer satisfaction and business relationships.

Since then – armed with proven, repeatable tools, techniques and practical advice – Dr. Redman has helped clients in fields ranging from telecommunications, financial services, and dot coms, to logistics, consumer goods, and government agencies. His work has helped organizations understand the importance of high-quality data, start their data quality programs, and also save millions of dollars per year.

Dr. Redman holds a Ph.D. in statistics from Florida State University.  He is an internationally renowned lecturer and the author of numerous papers, including “Data Quality for Competitive Advantage” (Sloan Management Review, Winter 1995) and “Data as a Resource: Properties, Implications, and Prescriptions” (Sloan Management Review, Fall 1998). He has written four books: Data Driven (Harvard Business School Press, 2008), Data Quality: The Field Guide (Butterworth-Heinemann, 2001), Data Quality for the Information Age (Artech, 1996) and Data Quality: Management and Technology (Bantam, 1992). He was also invited to contribute two chapters to Juran’s Quality Handbook, Fifth Edition (McGraw Hill, 1999). Dr. Redman holds two patents.

About Navesink Consulting Group (http://www.dataqualitysolutions.com/ )

Navesink Consulting Group was formed in 1996 and was the first company to focus on data quality.  Led by Dr. Thomas Redman, “the Data Doc” and former AT&T Bell Labs director, we have helped clients understand the importance of high-quality data, start their data quality programs, and save millions of dollars per year.

Our approach is not a cobbling together of ill-fitting ideas and assertions – it is based on rigorous scientific principles that have been field-tested in many industries, including financial services (see more under “Our clients”).  We offer no silver bullets; we don’t even offer shortcuts. Improving data quality is hard work.

But with a dedicated effort, you should expect order-of-magnitude improvements and, as a direct result, an enormous boost in your ability to manage risk, steer a course through the crisis, and get back on the growth curve.

Ultimately, Navesink Consulting brings tangible, sustainable improvement in your business performance as a result of superior quality data.

Konzentration auf eine Haltung. MARIO LOMBARDO

Einen Kaffee auf die Inspiration war ich mit Mario Lombardo in seinem wundervollen BUREAU trinken. Er hat mir erzählt, was geschieht, wenn er mit der Inspiration Fühlung aufnimmt und wie er dabei alle mit einbezieht, die ihm nahe stehen. Ich weiss jetzt, wie man maximale kreative Freiheit in beeindruckende Produktivität verwandelt und sich dabei ein äußerst liebenswertes Wesen bewahrt.

Wer mag findet auf sounds like me mein INTERVIEW mit Mario.

MEHR
Mario Lombardo in einem tollen Interview im Folge Mag

Saturday, September 26, 2009

Breaking Through Walls; The Essence Of Being Unstoppable - An Interview With Musician Roni Bryant


Sometimes we find a talented musician who is like a breath of fresh air,someone who you can see yourself being friends with, someone that you can sit and have a few drinks with while laughing the night away. Roni Bryant is that musician.  She grew up in a small town in Indiana, but had her dreams of doing something bigger. She has paved the way for herself, never gave up on her dreams, and at the young age of 23, she has come a long way. She is like a star that will keep on getting brighter.

Roni, how would you personally define your music as?

Original, yet familiar. Personal yet interpreted by many. Different shades of life thrown into a cluster fuck.

Who or what influences you to write?  What is your inspiration?

Those who came before me. A wise man once said “you are only as good as your record collection” The first album was inspired by my fave musician, pain my mother went through, pain I went though, sacrifices my family made for me, my patriotism- it was like holding a mirror up and looking at what makes me who I am

Are you on tour right now, and can you tell us where you will be playing?

Not at the moment, but I intend to be in the near future.

You are originally from the Midwest, a small town girl, (knowing how hard it is for us country folk getting noticed) how hard was it to get your music out there?

Well, back then I didn’t let anyone listen to what I wrote. I did covers of other artists and won the local fair county fair; all that jazz. Where I’m from; a rural area where there just aren’t any resources outside of school for would-be musicians. I didn’t start putting out my own music till I was 21- about 2 years after I left the Midwest.

I really like “Indebted”, can you tell me a little more about the song?

Indebted is about first love. I think that no matter who we are with when we are mature enough to actually love someone, the innocence of our first love stays with us and keeps a shred of our hearts.

How do you overcome adversity?

I do what I want and I don’t care what anyone else thinks or how they react. I live my life to please myself, not others. People tried to bring me down before and they failed, quite miserably I might add. I’m unstoppable.

When did you first start singing? Did you always get support from others?

I started singing when I was 2. I always had support from my family and close friends but I didn’t get much support growing up from peers outside my inner circle. I faced a ton of adversity in that respect.

Tell us something exciting that happened for your singing career!

I signed a promotional contract with Paste Magazine and they featured “Remain” on the Coke website.

What is a “normal” day like for you?

I’m a normal person. I get up and I go to class at UT El Paso. I come home and study, then I work on my music alone or I meet up with other musicians.

What do you like to do besides singing?

I love going to shows, networking, and pampering my kitties.

Can you give any advice for other aspiring musicians out there?

Do what you want and don’t ever let anyone discourage you. It is possible to live a normal life and be a successful musician. Everyone’s definition of success is different. Don’t let our pop culture define it for you. Define your own success.

Can you tell us one quirky aspect about yourself?
I’ll always be “MAD FER IT!!!”

If you want to order her album, please visit her website: http://ronibryant.com/

You can also buy her tracks on iTunes!

Please visit Roni’s Myspace page here:  http://www.myspace.com/ronibryant

Follow Roni on Twitter!  http://twitter.com/RoniBryantMusic

Annual Meeting of the Society for Neuroeconomics - day 1

This is the second annual meeting of the SfN that I attend, and this time I am there to do interviews and publicize an online survey on interdisciplinarity which I designed for neuroeconomists (are you a neuroeconomist? Drop me an email at clevallois@rsm.nl, and I will send you the link to it).

The program is remarkably different from the last year. Much less rat studies, and a lot of papers and posters on social interactions in humans. I am not sure whether it reflects an inflexion in the selection process by the organizing committee, or a new direction in neuroeconomics. A participant at the diner hinted that it merely reflects the changes in priorities laid out by funding agencies.

A few labs are overrepresented – Duke and CalTech; and the usual big names are all around. I could interview Peter Bossaerts, Colin Camerer and Paul Gimcher, and I should continue this series tomorrow.

For this evening, I hesitate between catching up with some sleep and fight the jetlag, or join the conference-sponsored dart-and-pool evening at the pub around the corner. Hm.

Friday, September 25, 2009

Minskyrone, un talent à découvrir

Minskyrone, un talent à découvrir Durant ce mois de décembre, la scène du Mozika Vaovao (au CCAC) a fait découvrir encore une fois un talent sûr du rap au pays. En effet, Minskyrone, même si le gamin rappe en français, a convaincu plus d’un, surtout les grands noms du Rapy Gasy. Voici donc un petit entretien qu’on a fait juste avant qu’il monte en scène.

Minskyrone, est-ce que tu peux nous raconter un peu tes débuts ?
J’aimerai dire que je suis ici depuis 98, et puis j’étais dans un groupe avec un vieux poto et le gars il est plus ici à Madagascar. C’était un groupe de deux gars qui rappaient en français et à l’époque c’était encore du rap de chambre quoi, c’est à dire studio puis maison et c’est tout. Et puis on avait un autre groupe avec des gars qui bossaient avec nous, on bossait ensemble quoi, on aimait le rap et on a fait un groupe. On était huit gars dont j’étais le seul à raper en français.
A l’origine tu vois, je savais pas parler malgache, j’ai essayé de raper gachemal mais c’était comique donc j’ai continué à raper en français. Après notre groupe, SLK, je sais pas si tu connais, a participé à des trucs genre rapline et tout et on a eu le premier prix déjà.
J’ai entamé une carrière solo de puis 2003, 2003-04. a l’origine tu vois j’ai fait juste des morceaux comme ça, donc c’était toujours studio-maison … et puis en 2005, il y avait Toky qui passait à la maison et je l’ai fait écouter mes sons et c’était lui le premier qui a envoyé mes sons à la radio (rire). Depuis ce jour, je ne sais pas comment ça s’est fait mais plein de gens avaient mes sons à la radio. Et je me suis dit que je fais des bons sons quand même et on m’a demandé de sortir mes sons …j’ai commencé à écrire mon album en fin 2005 et je suis encore là (rire) et là je fais Mozika Vaovao.

On a remarqué que dans tes titres il y avait des featuring avec X-tah, Karnazy, Taga. Pourquoi ce choix ?
Pourquoi ce choix, parce que c’est tous des gens quand j’étais gamin tu vois par rapport à eux, c’était tous des gens que j’écoutais quand j’étais jeune et que je kiffais. Et puis je me suis dit qu’un jour si je sors mon album il y aura eux.

Qui fait tes instruments et c’est quoi ton genre de rap, tu aimes le hardcore, la bounce … ?
Je sais pas le genre mais j’ai jamais touché au bounce par contre. Je sais pas le genre mais je reste basique rap et puis ça dépend du thème, de l’humeur. C’est moi qui fait les instrus d’habitude et de temps en temps je tape avec un gars qui ne me quitte jamais, NayG (désolé pour le nom s’il y a une faute), et puis la majorité c’était à Valimad avec Andry et beaucoup de gars. On voulait faire quelque chose hors que … hors que d’habitude (rire).

T’as parlé là de ton premier album, je ne sais pas quand il va sortir mais y aura-il d’autres featurings ?
L’album, je te cite déjà qui sont les guests dans mon album, il y a Taga, il y a Karnazy … il y a X-tah, Fy aussi. Et puis il y aura d’autres gens mais en interlude.
Ben, déjà y aura Tolo et d’autres, je préfère pas encore te le dire tu vois (rire).

Ça va sortir quand et c’est quoi le titre ?
C’est quand que ça va sortir … je peux pas te répondre tu vois car je suis pas un gars riche. Je ne suis pas kamikaze, ne sors pas un truc si voilà … je prévois un truc alors que je ne sais même pas si c’est vendable tu vois. J’attends qu’il y ait des gens qui demandent et si je sens que ça mérite de sortir ben ça sortira sinon je le garderai pour moi et mes potes.

Est-ce que tu projettes de faire des clips et tout ça ?
Ouai, c’est tout à fait un projet là en ce moment. Je vais pas en faire un seul ou deux mais c’est que je vais m’y mettre, je vais en faire plein. Et puis quand ce sera le moment ben ça va passer à la télé.

Combien de titres à peu près composeront ton album ?
Normalement il y aura 20 titres.

Tu parles de quoi généralement dans tes morceaux ?
Tu vois comme disait booba, certains parlent d’amour mais moi je parle de ce que je connais et je suis de son avis tu vois. L’amour euh … franchement je sais pas trop tu vois … mais jusqu’à maintenant je parle de ce qui me touche personnellement. Mais dans l’album je parle de la vie de tous les jours d’un … comment on va dire ça … d’un petit banlieusard quoi.

Le titre de l’album ?
… le titre de l’album c’est ” Lexique du bitume “.

j’ai entendu dire que durant le Mozika Vaovao tu vas tout faire en acoustique ?tout ?
euh non pas tout mais j’ai entendu qu’il va y avoir des sons acoustiques.
On va pas dire tout mais il y aura des sons faits à l’ancienne tu vois, basés sur des samplings … l’acoustique c’est aussi de l’expérimental alors on ne sais pas si ça va marcher ou pas, il y aura trois ou quatre sons qu’on va faire en acoustique.

Tes derniers mots ?
C’est surtout un truc que je voudrais dire … pour les générations surtout quoi, faites les choses bien.

Mozika vaovao 2006

greeeen kiseki(wish),ai uta(Love song)lyrics


Lyrics

nee, daisuki na kimi he’ warawa naide kiite kure
aishiteru’ danante kusai kedone
Dakedo kono kotoba igai tsutaeru koto ga dekinai
Hora ne! mata baka nishite waratta yone

Kimi no eran da (michi) wa (koko) de yokatta no ka
Nante wakaranai kedo…

Tada nai te waratte sugosu hibi ni
Tonari ni tatte yureru koto de
Boku ga ikiru imi ni natte
Kimi ni sasagu kono ai no uta

‘nee, ano hi no bokura nanno hanashi wo shiteta?’
Hajimete atta nichi ni yosoyososhiku
Arekara iroiro atte toki ni wa kenka mo shite
Wakari autameno toki sugo shitane

Kono hiroi bokura sora no shita deatte koi woshite itsumademo

Tada nai te waratte sugo su hibi ni
Tonari ni tatte yureru koto de
Kimi to iki ru imi ni natte
Kimi ni sasagu kono ai no uta

Itsumo meiwaku wokakete gomenne
Mitsudo koi ji

Kiseki lyrics

ashita, kyou yori mo suki ni nareru afureru omoi ga tomaranai
ima mo konna ni suki de iru no ni kotoba ni dekinai

kimi no kureta hibi ga tsumikasanari sugisatta hibi futari aruita “kiseki”
bokura no deai ga moshi guuzen naraba? unmei naraba?
kimi ni meguri aeta sore tte “kiseki”

futari yorisotte aruite towa no ai wo katachi ni shite
itsumademo kimi no yoko de waratte itakute
ARIGATOU ya Ah aishiteru ja mada tarinai kedo
semete iwasete “shiawase desu” to

itsumo kimi no migi no te no hira wo tada boku no hidari no te no hira ga
sotto tsutsundeku soredake de tada ai wo kanjiteita

hibi no naka de chiisana shiawase mitsuke kasane yukkuri aruita “kiseki”
bokura no deai wa ookina sekai de chiisana dekigoto
meguri aeta sore tte “kiseki”

umaku ikanai hi datte futari de ireba

Thursday, September 24, 2009

Lieberman Says Obama Must Get Tougher on Iran

Senator Joe Lieberman (ID-CT) said yesterday that the “Obama administration needs to get tougher on Iran if it wants to broker peace in the Middle East,” The Hill reports.

"The original Obama administration position seemed to suggest the biggest obstacle to peace in the Middle East was the Israeli policy of building on territory [believed to be Palestinian]," Lieberman told MSNBC. "The real threat to peace in the Middle East is Iran."

"If you look at our policy, which is a global policy, to stop the Iranians from building nuclear weapons, everything we have done thus far has failed," Lieberman added, noting that he was preparing a bill that would levy new economic sanctions on the country. "I think the only way we’re going to stop this development… is for us to make it clear to the Iranians that if they don’t stop, they’ll suffer."